clusters of blue and white irises--near center of screen on R side, and closer to bottom on L side — Irises [right of a pair], late 19th century
Spurious signature and seal of Sakai Hōitsu

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clusters of white and blue irises along bottom; cluster of blue irises, elevated, towards center — Irises [left of a pair], late 19th century
Spurious signature and seal of Sakai Hōitsu

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small owl perched on bent branch; dramatically pointed eyes, two horn-like tufts on either side of head; branch at L — Horned Owl on an Old Branch, 18th-19th century
Spurious Seal and Signature of Kaihō Yūshō

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large plate in form of a lily pad resting on three cylindrical black feet — Clarity, 2003
Fukami Sueharu

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two pieces of almost semi-circular form covererd with raised loops of bamboo all going horizontally; most of bamboo light in color with wide strip of slightly redder bamboo across center of both — Butterfly, 1998
Uematsu Chikuyū

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knotty bamboo stalks with foliage entering from UR and LR; three line inscription at L — Bamboo and Poem, second half 19th century
Doi Gōga

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stylized foliage and orchids growing from three irregular rock formations at LL, R, and URQ — Orchids and Rocks, third quarter 19th century
Hidaka Tetsuō

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swath of curving foliage across top of fan with blossoms at center; five-lined inscription at bottom center with rectangular relief stamp at UR of text and two square relief stamps at LL of text; mounted to white cardboard — Orchid and Poetic Couplet, late 18th - early 19th century
Totoki Baigai

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imposing brown rock formations and rocky cliffs with multiple tiered waterfalls at R and center; large boulders in background — Rocks and Stream, mid 19th century
Yokoyama Seiki

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brown dragonfly with grey wings at bottom left of center, perched on a lotus leaf; yellow lotus flower and bud and bottom; large leaf above dragonfly; two black characters and red seal near right edge, LRQ — Dragonfly and Lotus, 1920s
Ohara Shōson

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brown and white bird wading through shallow water indicated by a few light blue strokes; thin wispy reeds behind tall at R, and at LL; inscription near top — Waterbird and Grass, early 19th century
Sakai Hōitsu

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two bamboo stalks rising along L; cone-shaped bamboo shoot growing between the two stalks at LL; three sparrows sit within the bamboo foliage — Sparrows and Bamboo, early 18th century
Ohara Keizan

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two small birds perched on a sloping bank tinged with green; large, rolling waves crashing into rocks at shore; formation of smaller birds at top curve downward towards water — Plovers, Rocks, and Waves, first half 19th century
Suzuki Kiitsu

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two black birds sitting next to each other on lower part of branch; larger grey and light pink speckled bird sitting above them on branch; willow tree in back at top L — Kite and two crows, c. 1766-1770
Yosa Buson

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large moon behind waves at bottom; some splatters of white paint near waves to show spray; at top, sky-blue color around center right behind the moon and top large wave; color gradually turns into ochre at top — Moon and Waves, first half 19th century
Suzuki Kiitsu

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boy at L, holding switch in one hand, tugs on rope attached to ox's nose, at R; ox looking towards boy but does not appear to be moving; standing on embankment — Ox and Herdboy, 16th-18th century
Unknown , Japanese; Inscriber: Inscription attributed to Nankō Sōgen

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tall, thin black grasses at L with thin, wispy brown tufts at top; smaller plants with lacy leaves and pale yellow flowers at LL; grasshopper perched on horizontal leaf near lower center; full moon in background — Autumn Grasses and Moon, early 19th century
Sakai Ōho

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delicate gray spider web in upper quadrant with fat gray spider at bottom suspended from thin web — Spider and Web, early 19th century
Maruyama Ōshin

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twelve masks with cords attached to ears; each mask represents a vastly different character: Buddhist figures, demon, elderly man and woman, and various emotions — Noh and Kyogen Masks, early 20th century
Ueda Tekkō

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dark interior filled with many demon figures doing various things; large figure on R leans back and observes; colors are browns, pale green, pale blue, red — Shōki and Demons, late 19th century
Aoki Toshio

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figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures — Zengetsu Daishi and Saints, mid 19th century
Butsujo Jisen

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abstracted diamond shaped, finlike form with concave side planes; graceful points; mounts to angled wooden block with wood-capped screw — Image of the Mind 'Clarity', 2001
Fukami Sueharu

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sixteen lines of calligraphy; two square intaglio stamps near bottom edge just R of center; two square intaglio stamps LLC — Poems by Husband and Wife, mid 19th century
Ōkura Ryūzan

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white bird with long, elegant tail and green head splashing in water at R; larger bird with green, white, and brown feathers perched on rock covered with pink roses at L — Long-tailed Birds and Roses, late 18th century
Sō Shiseki

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two small gray and brown birds standing side by side near center; L bird grasping something in its beak, while bird at R stares; birds standing on slight hill amid low grasses; branch with white blossoms extends across image at top; three flying insects around blossoms at UR — Studies from Nature: Plants, Fish, and Birds (Birds and Roses), first half 19th century
Urakami Shunkin

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two fish swimming in lower half: larger red fish is looking down nervously towards smaller fish which is approaching the red fish with an open mouth; lobster at center R looking on, perched in clump of seaweed; waves surge against a black rock above — Fish, Lobster, Waves, and Rock, second half 19th century
Kōno Bairei

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a variety of images and studies of branches, flowers, foliage, birds, butterflies and other insects, as well as aquatic creatures — Joint Work of Birds and Flowers, c. 1874
Nakanishi Kōseki

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six panel screen, right screen; adult crane at L stands with wings spread facing two baby cranes who look up with beaks open and wings spread; a third baby crane pecks at the ground at center; two cranes, one black, one white peck at the ground at center; at right, two more cranes stand among an area of foliage; hints of landscape/seascape in background — Cranes and Waves [right of a pair], 1760s
Soga Shōhaku

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tall mountain peak in background center (Mt. Fuji), in almost white color; lower mountains and rocks in middle ground with water; some with trees; bay with a couple of boats; tree covered land; middle and foreground separated by water — Mount Fuji and the Pines at Miho, first half 19th century
Suzuki Kiitsu

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six panel screen, left group; large, swirling waves crashing against jagged rock formations in foreground; crane at UL swoops away from crest of wave; crane near top center swooping downard towards waves; crane standing at R on rock watching waves, swelling sea in background — Cranes and Waves [left of a pair], 1760s
Soga Shōhaku

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green gourds growing from vine descending from UR; long, green fruits with big leaves, many with brown parts and round, brown insect holes; critters climbing on plant, including snail, mantis, caterpillar, grasshopper, and frog; butterfly approaching from L — Mantis and Butterfly on Sponge Gourd, 1857
Nakabayashi Chikkei

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image of a brown and black bird sitting on a branch looking at a caterpillar; dark brown and gold frame with glass — Rufous Treepie and Caterpillar on Branch, 1777
Sheikh Zain al-Din

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a man and a woman wad through water, fishing, followed by a personified horse and ox carrying a long bar off of which supplies hang — Jizō and Enma Fishing in the River, late 18th century
Kō Sūkoku

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towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL — Landscape with Scholar and Empty Pavilion, second half 19th century
Doi Gōga

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large black bird facing R, with beak open; perched on gnarled, snow covered branch rising vertically from bottom center; flecks of white paint — Raven and old Tree in Snow, early 19th century
Saeki Ganku

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young woman in casual, elegant pose wearing colorful, richly patterned kimono; kimono has several crests with swirling motif; holding gold fan in PR hand near waist; PL arm outstretched; standing in front of small branch with pink blossoms under the moon — Prostitute Takao with Bush Clover and Moon, first half 19th century
Suzuki Kiitsu

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bulbous, squat basket with thick, crisscrossing weave; narrow mouth; slightly lopsided handle made from three bamboo sticks of varying thickness woven together with decorative knots; one side of handle has irregular twig — Long Life and Good Fortune Flower Basket, spring 1934
Maeda Chikubōsai

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left scroll of a pair; three men (clockwise from top center): Japanese man wearing partial suit of armor and helmet, seated on floor, holding a black fan and wearing a garment on his upper body with green sleeves; Asian man in LRC wearing a bright blue robe with white organic medallions and white belt, black cloth wrapped around his hair and white headband, holding a folded white fan and seated on floor; European man with red hair and thick red beard at left wearing a long red uniform jacket with brass buttons and epaulettes, and white baggy pants, seated in an orange chair; four bold lines of text in black at top around figures; large square red seal above PR shoulder of European man — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

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right scroll of a pair; three figures (from left): small standing European boy with red hair, wearing a grey military cap, baggy grey jacket, red vest with brass buttons and baggy white pants tucked into slouchy grey boots; standing elderly Asian man wearing a black robe and black hat, holding a white fan; steaming copper kettle on a square brazier resting on a table covered with a flowered cloth in front of and to left of man; Asian child with scruffy black hair wearing a brown and green robe, seated on floor, hugging a frightened-looking black and white dog — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

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teal green vase at R holding round yellow fruits and a grape vine with dark grapes — Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century
Urakami Shunkin

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image of a black bird with white belly on a branch with two round fruits and a yellow moth; gold frame — Red-whiskered Bulbul and Aganais Ficus Moth on Kadamba Branch, 1777
Sheikh Zain al-Din

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image of a yellow and black bird with red eyes perched on a branch attached to a stump with a bug on it; wood frame with gold face — Black-hooded Oriole and Insect on Jackfruit Stump, 1778
Sheikh Zain al-Din

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long, thin branch of a peony bush extending upwards from LLC; two blossoms in full bloom, with smaller, unopened bud in center; top blossom is grey, lower blossom is white; shorter branches with leaves open outward towards edges; inscription at ULC — Chrysanthemum and Peony (Peony; one of a pair), mid 19th century
Yoshida Shūran

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two dark grey and black ducks on the water, with their heads under their wings; moon at top center; silhouettes of stem with tiny flowers and leaves; two black characters, LLC — Two Mallards in Water Between Reeds and a Full Moon, 1920s
Ohara Shōson

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stem from peony bush spread across image with large, gray peony blossom at UR; small spray of foliage with blossoms parallel to peony stem LLQ — Studies from Nature: Plants, Fish, and Birds (Peony), first half 19th century
Urakami Shunkin

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cluster of green fronds with pale yellow-green flowers with red veins at R; small cluster of leaves with pink flowers at LL — Studies from Nature: Plants, Fish, and Birds (Chinese Orchids), first half 19th century
Urakami Shunkin

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large moon at TL; white rabbit going downwards head first around center, waves at bottom. — Rabbit [left of the pair Rabbit and Swallows], early 18th century
Yamaguchi Sekkei

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swallow's nest hangs from TL edge; adult swallow perched on edge of nest, three babies in nest; another swallow flying away at LR — Swallows [right of the pair Rabbit and Swallows], early 18th century
Yamaguchi Sekkei

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6 panels, alternating between large calligraphy, and images of bamboo with rocks, and smaller inscriptions — Bamboo and Chinese Poems [left of a pair], 1865
Doi Gōga

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6 panel screen with alternating panels of calligraphy, and panels of bamboo stalks with delicate foliage and small inscriptions — Bamboo and Chinese Poems [right of a pair], 1865
Doi Gōga

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image of a black and white bird perched on a branch with orange fruit and two insects; brown frame with gold accent — Oriental Magpie Robin with Katydid and Leaf Hopper on Monkey Jack Branch, 1778
Sheikh Zain al-Din

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grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR — Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century
Urakami Shunkin

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center scroll: male figure wearing gray face mask standing facing viewer with arms outstretched; brocade brown and gold top; billowing blue pants with blue designs; tall black hat; decorated fan in PR hand; face mask has white tassels and goatee — Okina [center of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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image of a tan, black and grey bird perched on a branch that has round leaves with two yellow moths and a green caterpillar; wood frame with gold along outer edge and white along inside edge — Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree, 1777
Sheikh Zain al-Din

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right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat — Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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grey and white bird carrying demon-like figure in its talons — God of Wind caught by a hawk [left of the pair Gods of Wind and Thunder], mid 19th century
Satake Eikai

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left scroll: male figure taking small step forward, holding PL arm straight out, grasping closed fan; PR hand below head; wearing pale blue robe with seaweed, turtle, and crane design; bright inner robe; tall black hat — Sanbaso [left of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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two gray fish: larger fish at R turning its body to the L, with its tail flipped downward; smaller fish at LL facing L; light green plants at top and bottom with pink petals — Studies from Nature: Plants, Fish, and Birds (Cherry Blossoms with Fish), first half 19th century
Urakami Shunkin

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pink demon figure wearing tiger skin loin cloth viewed from behind; PR ankle of demon in the claw of a crab emerging from the water at bottom; demon has bar bell shaped object in PR hand; three red cylinders in the air — God of Thunder captured by a crab [right of the pair Gods of Wind and Thunder], mid 19th century
Satake Eikai

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**Ducks and Reed**, 1920s

Yamamoto Shōun

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**Bush Clover and Pampas Grass**, first half of 19th century

Suzuki Kiitsu

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**Sakyamuni and the Sixteen Arhats**, 14th century

Unknown Japanese

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standing figure holding staff in PR hand and sphere in outstretched PL hand; standing on tiered carved base with lotus leaves around top; gold leaf on garment and base with some remaining areas of blue and green pigment on garment; figure removes from base with keys on bottom of feet; staff also removes — Jizō, the Bodhisattva of the Earth Matrix, second half 13th century
Unknown Japanese

G220

rocky landscape with scruffy green trees sparsely interspersed; primarily orange, green, and light brown pigments; mount is robin's egg blue and gold — Mount Kumgang (Kongōzan) in Korea, 20th century
Tsuji Kakō

G239

snow-covered trees and rocks in foreground; snow-covered mountains in background; figure with straw cape walking across bridge at LL carrying objects hanging from pole over PL shoulder — Landscape in the Snow, first half 19th century
Imaōji Yūzan

G223

Landscapes of the Four Seasons: Spring, Summer, Autumn and Winter, Autumn 1929

Fukuda Kodōjin

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group of drunken men clustered around tables, attempting calligraphy, leading and riding a horse; man at UR standing behind banner — Eight Immortals Indulged in Wine, early 19th century
Watanabe Nangaku

G237

image of a green, blue and brown bird on a branch preening its wing; gold frame with glass — Indian Roller on Sandalwood Branch, 1779
Sheikh Zain al-Din

G211

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs — Kakebotoke, 14th century
Unknown Japanese

G220

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

**Chrysanthemum and Peony** (Chrysanthemum; one of a pair), mid 19th century

Yoshida Shūran

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**Two Wild Geese in Flight Above Reeds and Moon**, 1920s

Ohara Shōson

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hoop-shaped basket with bulbous body arcing into rounded handle made of one thick piece of bamboo with irregular twigs on either side; openwork weave with diamond pattern; round base; thin, horizontal bar with vertical supports at each opening; squat copper lined bamboo cylinder for flowers — Eighth-Day Moon Flower Basket, first half 20th century
Maeda Chikubōsai

G222

various scenes of bamboo, flowers, and blossoming trees — Four Gentlemen, mid 19th century
Nakabayashi Chikutō

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nine lines of calligraphy, alternating between long and short lines; signature and seal at L; unmounted — Poetic Quatrain, late 18th - early 19th century
Totoki Baigai

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dark brown wood texture spiral form; wide on one end and pointed on the other — Spiraled IV, 2011
Matsushima Sakurako

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six lines of calligraphy; dark green, gold, and tan mount — Hanging scroll, 1868
Yanagawa Kōran

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six sided tightly woven basket with raised rectangular handle; inner cylindrical water jar — Six-sided flower basket with handle, c. 1927 - 1934
Iizuka Rōkansai

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low rectangular form with deep ripples and raised wavy lines — Distant Ocean, 1976
Fukami Sueharu

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irregular rectangular form; vertically oriented, with somewhat wrinkled texture; R and L sides smooth; brown and ochre coloring — Breath of Message, 1971
Fukami Sueharu

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accordion album featuring black and white and some color landscapes; very worn blue and gold brocade cover — Miniature Album of Ten Paintings, late 19th century
Yamazoe Kakken

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cylindrical shape; cover has two cutouts on exterior of in the shape of closed fans; dark red overall with orange leaf on cover; exterior of container decorated with red and green leaves — Food container, c. 1920-1930
Kamisaka Sekka; Artist: Lacquer by Kamisaka Yūkichi

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folding fan with image of willows, a fisherman, and a calm waterscape: image with cluster of willow trees at bottom center; man in boat fishing at UL; inscription with two red square stamps at upper center; scene with willows, shore, and two low buildings at UR; tinted with light blue, silver, brown, and pink pigments — Song of Fishing Among Willows, second half 19th century
Taniguchi Aizan

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irregular jar-shaped vessel with raised neck and lip; brown, charcoal, light green, and beige glazes with an area of orange; raised white spots and raised, broken arc around top of orange — Vase, early 21st century
Tsujimura Shirō

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smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

eleven lines plus two-character line at far R; mounted with green, tan, and beige border, and grey crackled paper mount — Letter Accompanying a Painting, first half 19th century
Nakabayashi Chikutō

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boar sitting upright on its haunches, PL leg in air; upturned, elongated nose; hinged lid on back; figure is hollow inside, and mouth and nostrils open to vent — Incense burner in the shape of a sitting boar, mid 19th century
Unknown Japanese

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pink, black, and gray rounded mountain tops against white background — Red Rock Mountains, mid 20th century
Kai Kozan

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irregular columnar form with newspaper pattern; vertical split up front and back; several inherent jagged seams and cracks — Information Monument, 1973
Fukami Sueharu

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ceramic cylinder with impressed newspaper patterns inside and out; small, black and white humanlike figure with outstretched arms inside — Information Society 'Drowning', 1973
Fukami Sueharu

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thirty lines of very neatly written calligraphy; many characters have red circles next to them — Draft panel in standard script, second half 18th century
Attributed to Kimura Kenkadō

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waterfall in gray and white with mount that appears hand painted in midnight blue and bronze — Waterfall, late 19th-early 20th century
Watanabe Seitei

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horizontal, blade-shaped form; indented ripples top center, and larger indented ripples bottom center; mounted to light wooden base — Seascape, 1980
Fukami Sueharu

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battle scene at sea and on land — The Battle of Ichinotani [right of a pair of Scenes from the Tale of the Heike], mid 17th century
Kano School

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lively street scene featuring a female kabuki performance at L; motely crowd of men, women, and children on street, some watching the performance, others flirting, walking, dancing, wrestling, etc.; in background, men and women lounge in tea shop — Okuni Kabuki, mid 17th century
Unknown Japanese

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landscape: rocks at LL with thin trees; grasses and small, thin trees in middle ground; small stream running from L through middle — Mountain Stream, first half 19th century
Geppō

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image of a blue bird with long neck and legs facing left — Grey Heron, c. 1780-1782
Ram Das

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tea bowl with image of a demon smoking a pipe on one side; inscription on other side; white and gray-blue background with opalescent shimmer — Tea bowl (chawan), second half 19th century
Murase Taiitsu

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atmospheric landscape at dusk with cliffs, a walled structure with blue archway, a small house with red and blue trim, and water — Red Cliff, 1757
Yanagisawa Nobutoki

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large white and pink flowers blooming amid foliage and smaller, dark blue flowers; tall grasses with white fronds stick out above at L; smaller white flowers at bottom — Mallows, 17th century
traditionally attributed to Kitagawa Sōsetsu; Artist: Unknown [seal of I'nen]

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